馬戲團

By 陳冠希

一家大小請到這裏望下
欣賞精彩演出請歡笑吧
成人內進吧 兒童們賣半價吧
娛樂節目快樂過聽廢話
一家大小請看海報賣相
獅子老虎小丑當起偶像
奇技二百樣 熊搭在馬背上
鴕鳥漂亮 照舊屁股向上
睇馬戲團 乜都有得睇
有人獸鬼有人湊鬼有半人半鬼睇有人出事
人人圍埋睇馬戲團 乜都有得睇
有人無計有人搞鬼有人愛偷窺有人要露底蝕底
睇馬戲團 乜都有得耍
各種雜耍飛鏢火把 睇到把幾火都咁假
逼住繼續睇馬戲團 乜都有得假
啲人又假啲事又假啲人士又咋啲問責高層人士日日丟假
但系我發現屋企到 照鏡睇到馬騮系度
請問 邊種主角才合我做
平日噴火吞吐 如大象企系度
日夜招募 邊種主角才合我做
隨着炮彈飛高 還在鋼線跑步
真正馬戲團 系你我屋企
揾塊鏡照下你自己我自己個個面目猙獰似一班土匪
真正馬戲團 就係香港地
個個圍住個沙圈啄曬地有理無理個個系臨記
真正馬戲團 就係香港地
有大小丑有細小丑講各種大小大話面不改容無人知醜
真正馬戲團 就係香港地
你無得走我無得走五十年不變單派齊又點捨得咁快就走
呢個馬戲團既佈景設計經常變動
呢個海景會越變越細 班人就蠢蠢欲動
籠裏面只大笨熊太笨 斬佢十粒掌黎食用
呢個死鬼蠢又笨又無用 啲建議又空洞
一大班馬騮仔周街走
班化骨龍最叻扭計鬱下嗌跳樓
一到九七果陣個個雞飛狗走
七一二三即刻睇得出邊個系走狗
請問 邊種主角才合我做
平日噴火吞吐 如大象企系度
日夜招募 邊種主角才合我做
隨萶炮彈飛高 還在鋼線跑步
(點捨得咁快就走)
(黃秋生 個世界唔應該系咁嫁
做人唔應該系咁嫁)
About This Song

The song "" (Circus) by (Edison Chen) delves into the complexities of modern life, using the metaphor of a circus to represent the chaotic social and political landscape of Hong Kong. The main theme revolves around the absurdity and performance inherent in everyday life, with the artist reflecting on how individuals adopt various roles in this grand spectacle, often wearing masks to navigate their realities. Through vibrant imagery and relatable commentary, the emotional core of the song resonates with a sense of disillusionment and a quest for authenticity amidst a superficial environment.

In this piece, Chen narrates the experiences of individuals who engage in a spectacle that resembles a circus, exploring the dynamics of familial relationships, societal expectations, and the opportunities for entertainment that often mask deeper issues. The lyrics highlight themes such as deception, the clash between reality and performance, and the existential dilemma of choosing the right "role" in life's circus. The recurring motif of a carnival atmosphere allows listeners to both laugh and reflect on the absurdities of life and the personas we adopt.

Musically, the song incorporates lively beats and a catchy melody that evoke the excitement of a circus while maintaining an undercurrent of irony. Lyrically, Chen employs various techniques like vivid imagery, wordplay, and contrasts to create a sense of movement and energy within the song. The use of colloquial language and humor adds layers of relatability, allowing listeners to connect with the narrative as they navigate their own "circus" in life.

Culturally, "" serves as a commentary on the sociopolitical issues faced in Hong Kong, particularly in the context of its unique cultural identity and challenges in the face of change. The song acts as a mirror reflecting the society's inner conflicts and external pressures, making it significant not only as a work of art but as a statement within the contemporary landscape of Hong Kong. Through this lens, Chen encourages listeners to engage critically with their roles in the ongoing performance that is life.